Robert Fischer

71 Jahre • Greven, Germany

Schauspielerei 2

Kurosawa and the Censors

Daniel, der Zauberer

Regie 61

Le Cinéma en jeu: L'Amour fou de Jacques Rivette revisité

Jack Arnold Remembers The Incredible Shrinking Man

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz

Life As It Is: Miloš Forman on Miloš Forman

Painting with Light: Nicholas von Sternberg on Josef von Sternberg

Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'

Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien

The Beast Inside: Creating 'Wolf'

G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak

G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak

Sucker Punch Blues: A Look Back on John Huston's 'Fat City'

A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'

Program Notes: An Introduction To The Last Detail By Alexander Payne

About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'

Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’

Pure Cinema: Joe Napolitano on Brian De Palma's Body Double

Les Mystères de Paris : "Out 1" de Jacques Rivette revisité

Traveling Roadshow

Outer Movement, Inner Movement

Love Letters

Return to Beethoven Street: Sam Fuller in Germany

Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'

Last of the Independents: Don Siegel and the Making of 'Charley Varrick'

Perspectives on Othello: Joseph McBride on Orson Welles

Swan Song: The Story of Billy Wilder's Fedora

Touching Death: Alejandro Amenábar on 'Tesis'

Rumble on the Lot: Walter Hill's Streets of Fire Revisited

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'

Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered

Return to Philadelphia: George Litto on 'Blow Out'

Black and White in Color: Vilmos Zsigmond on 'Blow Out'

Rag Doll Memories: Nancy Allen on 'Blow Out'

A Winter's War: Keith Gordon on 'A Midnight Clear'

Ted Kotcheff's Gourmet Cinema

Deep End

Starting Out: The Making of Jerzy Skolimowski's Deep End

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

Before Taking Off: Milos Forman’s Road to America

Making an American Movie

Erinnerungen an 'Väter und Söhne'

Of Love and Constraints

A Tribute to Douglas Sirk by Allison Anders

Beyond Melodrama: Kathryn Bigelow on Douglas Sirk

Acting for Douglas Sirk

Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"

Contract Kid: William Reynolds on Douglas Sirk

Requiem for a Killer: The Making of 'Blast of Silence'

Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood

Dalton Trumbo: Rebel in Hollywood

Maternal Overdrive

Kino der Zeichen: Claude Chabrol über Alfred Hitchcock

Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram

The Making of Highlander

Fassbinder in Hollywood

Monsieur Truffaut Meets Mr. Hitchcock

Will He Live or Will He Die: Walter Hill on Southern Comfort

Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'

The Fury: A Location Journal

Expedition Amazonia

Weitere Mitarbeit 58

Le Cinéma en jeu: L'Amour fou de Jacques Rivette revisité

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz

Weimar on the Pacific

Homay King on 'Shanghai Express'

Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'

Painting with Light: Nicholas von Sternberg on Josef von Sternberg

Budd Boetticher on the Ranown Cycle

Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien

The Beast Inside: Creating 'Wolf'

Sucker Punch Blues: A Look Back on John Huston's 'Fat City'

A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'

Program Notes: An Introduction To The Last Detail By Alexander Payne

Hans Fromm on 'Phoenix'

Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss

Love Letters

Return to Beethoven Street: Sam Fuller in Germany

Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'

Last of the Independents: Don Siegel and the Making of 'Charley Varrick'

Perspectives on Othello: Joseph McBride on Orson Welles

Swan Song: The Story of Billy Wilder's Fedora

Touching Death: Alejandro Amenábar on 'Tesis'

Rumble on the Lot: Walter Hill's Streets of Fire Revisited

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'

Ted Kotcheff's Gourmet Cinema

Deep End

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

Before Taking Off: Milos Forman’s Road to America

Making an American Movie

Erinnerungen an 'Väter und Söhne'

Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'

Working with François Truffaut: Nestor Almendros, Director of Photography

A Tribute to Douglas Sirk by Allison Anders

Beyond Melodrama: Kathryn Bigelow on Douglas Sirk

Acting for Douglas Sirk

Working with Max Ophuls: Daniel Gélin on "Le Plaisir"

Working with Max Ophuls: Tony Aboyantz, Assistant Director

Working with Max Ophuls: Robert Christidès, Set Decorator

Working with Max Ophuls: Annette Wademant, Co-Writer

Working with Max Ophuls: Marc Frédérix, Assistant Decorator

Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"

Working with Max Ophuls: Daniel Gélin on "La Ronde"

Kurosawa and the Censors

Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood

Dalton Trumbo: Rebel in Hollywood

Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir

Le Plaisir: From Script to Screen

Working with Max Ophuls: Alain Jessua on the Making of Madame de...

Maternal Overdrive

Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer

Reviving Harry Lime

Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram

Men of Mystery

Fassbinder in Hollywood

Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'

The Fury: A Location Journal

Bekannt für

Starting Out: The Making of Jerzy Skolimowski's Deep End

Starting Out: The Making of Jerzy Skolimowski's Deep End 2011
Director

Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood

Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood 2006
Director

The Beast Inside: Creating 'Wolf'

The Beast Inside: Creating 'Wolf' 2017
Director

Kino der Zeichen: Claude Chabrol über Alfred Hitchcock

Kino der Zeichen: Claude Chabrol über Alfred Hitchcock 2006
Director